Rio Brakes

Presented by Factory 25

Set against the volatile and dangerous world of the favelas, Rio Breaks tells the story of two surf-obsessed friends, 13-year-old Fabio and 12-year-old Naamã. The pair live in Rio de Janeiro’s Favela do Pavão, which is controlled by one of the city’s most dangerous drug gangs. However, their attention is focused on the waves of Arpoador Beach and on a coming surfing event that may help them become professionals and escape the world of gangs. Nominated for Best Documentary at the Hawaii International Film Festival and winner of the Special Jury Mention at the San Sebastian Surfilm Festibal, this Sundance Channel co-production by Director Justin Mitchell (Death Cab for Cutie: Drive Well, Sleep Carefully,Jenny Lewis: Welcome to Van Nuys, Ted Leo: Dirty Old TownSongs for Cassavetes) and Writer Vince Medeiros (Surfing Huck Magazine) is an inspired and hugely original documentary that takes the surf film genre into never-before-seen territory. Festivals: Festival do Rio, Hawaii International Film Festval, WaveRiders Film Festival, The London International Documentary Festival

Date & Time : Aug 6, 2010 @ 7:30pm   |   Location: 92Y|Tribeca, 200 Hudson St  Directions   |   Venue : 92Y|Tribeca Screening Room   |   Code : T-MM5FA33-01   |   Price : $12.00   |   Catalog # FTF-014   |   Release date : August 31, 2010   |   Director : Justin Mitchell   |   Length : 85 min   |   2009


Rio – The Movie

From the creators of Ice Age, Rio is an upcoming 3-D animated film from 20th Century Fox and Blue Sky Studios. It is directed by Carlos Saldanha – the Brazilian director of animated films, and written by Don Rhymer. The characters are voiced by Jesse Eisenberg, Anne Hathaway, Rodrigo Santoro, Kate del Castillo and Bernardo de Paula. The film is expected for release on April 8, 2011. Click here to go to the official Rio – The Movie website

Brazil is calling you

What is Brazil?

Points of culture : what Brazil can teach Britain about art

A series of debates at the Southbank Centre shows how Brazil understands things that supposedly ‘developed’ countries don’t – not least about the transformative social power of art

Twenty years ago, it seemed as if Brazil couldn’t stop dreaming about its future. Now the future has arrived; Brazil is an economic and political world leader with a seat at the globe’s most influential table. Yet the country still faces the fundamental renegotiations of power – between rich and poor, women and men, black and white, indigenous and immigrant, city and rural communities. Recognising that without a new and radical approach Brazil will never achieve its promise for a just society, engaged artists in the favelas of Rio de Janeiro, Sao Paulo, Salvador and in rural areas across the country are pioneering new approaches to giving communities a real voice. But their work doesn’t spring randomly from unconnected initiatives – it’s part of a strategic plan to create an entire network of socially committed cultural projects.

In 2003, the Brazilian government created an initiative called Points of Culture: thousands of community and arts projects of all sizes and types that would work to strengthen people’s involvement in the life of their neighbourhoods and the larger society. The idea came from the legendary musician Gilberto Gil who had agreed to become culture minister for a five-year period under President Lula. The very act of having artists in the centre of government sent a signal of serious intent. Throughout his ministry poets, playwrights and philosophers worked in the executive, bringing a new language of aspiration and inventiveness to that of government.

But what does it mean when politicians pledge to put “imagination at the service of the people”, as the Brazilian government has done? First, it’s a recognition that culture and positive cultural expression is the foundation of identity and pride for all of us. But culture isn’t simple, and one size doesn’t fit all – it’s very personal, particular to individuals, groups, tribes, neighbourhoods and regions. It has to spring from the circumstances of place, economics and tradition, and be captured in vivid and powerful ways. Second, politicians in Brazil believe that professional artists can play a key role in developing people’s confidence, happiness and sense of self. Third, it’s a declaration of their respect and love for the people of Brazil – regardless of their economic or educational privilege – and a desire to improve the lives and opportunities of all those millions of citizens who remain marginalized and unable to fulfil their potential. It was a bold, demanding mission to launch and to sustain, but one that has proved so successful it is now spreading to other parts of Latin America.

When I was creating Southbank Centre’s summer-long Festival Brazil, I wanted to reveal what Brazil was thinking about; how its artistic vitality is bound up in its democratic urge to transform and reinvent the world, and how much the artists of Brazil believe in the creative capacity of everyone. Tonight, in a debate entitled The Edge of the Future: Renegotiating Power, Jose Junior – who founded the powerful AfroReggae movement – discusses the choice of young people to turn away from drug and gun culture and towards music, dance and poetry as a way of finding status and “family”. Tomorrow, Luiz Eduardo Soares, formerly Brazil’s National Secretary of Public Security, a man who dealt with some of Rio’s most alarming clashes between police and gangs, will talk about how hip-hop artists and photographers helped him forge communication between lawmakers and young people.

For both these debates, there will be weighty contributions from some of the UK’s important cultural projects, too. We will hear from the Koestler Trust, who work with prisoners and young offenders, about why the arts serves as a unique tool of rehabilitation. And Camila Batmanghelidjh brings her experience and vision of Kids Company and the central role that the arts can play in supporting young people to manage their circumstances differently.

The UK currently has the finest arts ecology in the world, including many outstanding cultural initiatives that work at grassroots level. But it doesn’t have a comprehensive programme that offers communities – and particularly young people – the right to work with artists in ways that would substantially change their sense of what is possible. Britain is a society in flux, and we need bold ideas that strengthen our communities. Brazil’s belief in the importance of culture to the lives of its people is far-sighted, and can provide inspiration to us all.

More details, click here

On top of the world: Why Brazil is booming

It is a 100th birthday party in a well-to-do postcode of Sao Paulo, where the house of our journalist host – he and another writer pal are actually each turning 50 – slips graciously down a slope to a terrace and the chatter is nearly all politics. Then the DJ cuts the music in the middle of a samba everyone knows. They reflexively fill in: “Ò coisinha tão bonitinha do papai” – “Oh daddy’s beautiful little thing”.

Not everything in Brazil is beautiful. Not the slums, or favelas, which ring cities like this one or Rio de Janeiro, or last Saturday’s national glee when Argentina – neighbour and perennial rival – crashed out of the World Cup one day after the Brazilian squad’s humiliating Dutch demise. (“Que desgraca!” squealed an old man when the stricken face of Diego Maradona filled the TVs in a bar on Sao Paulo’s Teodoro Street.)

Yet you cannot spend a day in Brazil without sensing the economic miracles happening here – first quarter growth touched 9 per cent and the helicopter pads atop the skyscrapers of Sao Paulo are buzzing with air traffic again – or hearing of the achievements of its President, Luiz Inácio Lula da Silva, recently named the world’s most influential leader by Time Magazine, in raising the country’s profile on the world stage and lifting much of the population out of poverty. The somewhat lefty party-goers were not actually thinking of Lula and Brazil as they sang about daddy and his baby, but they could have been.

The legacy of President Lula, a former lathe operator, is a conversation point if only because the race to succeed him kicks off this week. The constitution bars him running for a third term. While his hand-picked successor in the ruling Workers’ Party, Dilma Rousseff, is an electoral virgin (she was his chief-of-staff), polls suggest she will prevail on election day in early October, thwarting the hopes of conservative opposition leader José Serra, a respected former governor of Sao Paulo state.

Ms Rousseff will inherit a country bursting with fruit. As if it wasn’t enough that Brazil was already to host the next soccer World Cup, Rio de Janeiro last year barged aside Chicago to win selection as host city to the 2016 Summer Olympics. This as Brazil rushes to exploit vast reserves of oil off its shoreline close to Rio. Rather than giving them pause, the crisis afflicting the deep-sea drilling industry in the Gulf of Mexico is if anything spurring Brazil to move more quickly to increase production. Oil revenues now stand at 12 per cent of the national GDP and may rise to as much as 20 per cent.

It is a country that has moved far beyond the clichés of its international brand – the contours of its tanned beach-goers and catwalk models. Brasilia is agonising about keeping control of its economic boom while the rest of us are squabbling about the respective benefits of deficit-slashing austerity versus stimulus spending. (President Lula apparently thought that debate sufficiently boring that he did not show up to the recent G20 summit in Canada citing flooding in north-eastern Brazil.) The chatter, at this party and elsewhere, risks running away with itself. “They get a little bit carried away,” a correspondent for a foreign news agency whispers, citing Brazilian diplomats telling him that China is investing in Brazil so feverishly because it sees it overtaking the United States soon as its most important export market. Come now.

Look hard enough and you will find sensible people in Brazil willing to identify those things that are not going so well, like the failure to invest in infrastructure (Sao Paulo’s international airport is grittier than a Greyhound bus stop), Brazil’s inability to upgrade school-age education and the still utterly byzantine ways of its bureaucracy and taxation system. Steve Jobs recently rejected a plea from the city government in Rio de Janeiro to open an Apple shop there. He shot back that the “super-crazy” tax system in Brazil “makes it very unattractive to invest in the country” and that “many high-tech companies feel that way”. In all the pro-Brazil hoopla, this rude rebuff by Jobs registered with no one except a few attentive bloggers.

That Brazil is on the move, threatening to leave its similarly aspiring neighbours like Argentina and Mexico in the dust, is no longer in dispute, however. China has been in the know for years, but that is because it long ago turned to Brazil for so many of its desperately needed raw materials – everything from soy to iron ore to lumber. Now others are starting to pay attention. If Brazil, the B in the so-called BRIC group of fast-emerging nations (the others are Russia, India and China), is indeed on a path towards eventually joining the ranks of the developed nations, no one wants to be caught by surprise.

Thus the awful international airport in Sao Paulo is fit to burst only in part because Brazilians are discovering that having a relentless rising currency – the real – is a marvellous thing when travelling abroad. Adding to the traffic are the foreign businessmen and investors galloping into town, cheque books at the ready, to find out what is going on and how they can share in the suddenly exploding pie.

“I never imagined Brazil really becoming such a strong country, especially how it has in the last 10 years,” muses Carlos Jereissati, chief executive at Iguatemi, Brazil’s largest chain of shopping centres. “Everyone is looking at us and saying: ‘Wow, these people are really growing – they have the economy, they have the oil, they have the Olympics and the World Cup, we need to pay attention!'”

No one knows this better than Mr Jereissati who travels to London, New York, Paris and Milan to lure new luxury brands to his malls. Diane von Furstenberg, the fashion designer, recently opened her first Brazil outlet in Iguatemi’s flagship mall in Sao Paulo. She says it has been the best opening in her company’s history, selling “over a million dollars in its first six weeks of business”. The boom means Mr Jereissati is ready to expand and quickly. “While it took us 20 years to do eight malls, we are probably going to do twice that in the next five years – we have a lot of money to do things.” That is thanks largely to the expansion of the middle classes and their growing spending power.

And the ball just keeps rolling. The day we meet, Mr Jereissati, whose uncle is a senator in the party of José Serra and whose brother runs Oi, Brazil’s biggest landline telephone company, is getting ready to entertain the bosses from the leather goods purveyor, Goyard, from Paris. And this Monday he was to play host to François-Henri Pinault, whose group includes Gucci, Christie’s and Yves Saint Laurent (and whose wife is Salma Hayek). “In the past, maybe the second or third level of the company would come to see what opportunities are here. Now it’s the main man who comes,” Mr Jereissati notes.

Telling also are the beginnings of a reverse of the trend where young, privileged Brazilians assumed they would go abroad for university and quite likely their careers. It’s the route that Julio Vasconcellos, now 29, followed. But having been in the US for 10 years, most recently in Silicon Valley in California, he talked to a friend over the New Year about a possible internet start-up in Brazil. They dreamed up peixeurbano.com – urban fish – where consumers learn about retail bargains. On a Wednesday in March, he tells me, he arrived in Rio de Janeiro – more specifically in the hip Botafogo district – and by the Thursday the site was up. He employs 40 people and is interviewing for 30 more positions.

“I just felt it was the right time to come back,” he said. “You are starting to see people who are more open-minded and with a more international focus looking at Brazil as an opportunity and making bets on it in the same way people in the 1990s made bets on China.” The horizon in internet development may be particularly wide and rich. “Every day I have a meeting with a different partner and five different ideas come to my head that would be huge business in Brazil that nobody is doing anything about. You can’t do that in Silicon Valley.”

While Brazil remains, according to the World Bank, one the worst countries for the gap between the rich and poor, the income divide has begun to close in the nearly eight years of President Lula. True the favelas, running with sewage, guns and drugs, remain a feature of the urban landscape, especially in Rio de Janeiro where more than just cosmetic surgery will be required before the 2016 Games. But the number living in poverty has fallen during his two terms from about 50 million to 30 million. Studies meanwhile point to slightly more than half of all Brazilians now belonging to a socio-economic group broadly described as lower middle class. They will not visit Gucci in Mr Jereissati’s malls, but they will go to the less flashy retailers like C&A or Topshop when it makes its debut in Brazil next year.

Brazil has been lucky, both finding its reserves of oil and in its partnership with China, which has helped considerably to drag it into greater prosperity. (Were China to trip, Brazil may fall hard.) President Lula also inherited an economy that, after the catastrophe of hyper-inflation in the early 1990s, had already been transformed by the policies of his predecessor, Fernando Henrique Cardoso. But, even his detractors agree that despite his past as a leftist union organiser, he has shown an unexpectedly steady hand guiding the economy and that his welfare policies have been crucial in ensuring that Brazil’s rising tide has lifted most, if not all, boats.

That is not to say Brazil is set for good. Some economists worry of bubble conditions forming and warn especially about gushing capital flows into the country and the ceaseless upward movement of the currency. It’s not just that dinners in Sao Paulo now cost as much or more than in Manhattan. The supercharging of the real also threatens to stunt any move in Brazil away from a commodities economy to a manufacturing one because as an exporter it is becoming ever less competitive.

Gustavo Ioschpe, an economist and columnist for the weekly magazine Veja, scoffs at the notion that Brazil is within years of entering the club of truly developed countries. President Lula, he says, has done nothing to tackle political corruption or the country’s woeful infrastructural problems. Only 10 per cent of its roads are paved and at harvest time, lorries can be seen lining the roads to the over-stretched ports, their cargos of soy rotting in the sun. To the mortification of its nearly 20 million residents, Sao Paulo has been told by FIFA that plans to upgrade its only significant football stadium are so inadequate that no matches will take place in the city during the next World Cup.

But the biggest worry for Mr Ioschpe, formerly of Goldman Sachs, has been the refusal of the “anti-intellectual” President Lula to do anything serious about education. That all children now have the right to attend schools, to be taken to them on buses and fed lunch, is not good enough if they don’t learn to read and write, he says. “This is our biggest challenge and most likely the one that will take the longest to be fixed and the one that will have the greatest negative impact. Building roads is one thing, but how is it that Brazil still does not know how to do the most simple of all things which is to make 7- and 8-year-old kids literate? It’s incredible. That has been mastered by the developed world for last 200 years and even by our neighbours like Argentina and Chile for the last 100 years.”

Nor is it clear that the other plank of President Lula’s legacy, his South-South foreign policy which has seen Brazil aggressively strengthen diplomatic and trade ties with Third World governments for example in Africa where he is today, will turn out to be all good for his country. What the Wall Street Journal has called “his dance with the despots” has seen President Lula chumming with the likes of Hugo Chávez, Raúl Castro and Mahmoud Ahmadinejad who lead countries that are several prison camps the wrong side of being democracies. Some diplomats in New York believe that President Lula’s recent visit to Tehran – where with Turkish help, he negotiated a faux-solution to its nuclear stand-off with the West – so irritated Washington and other capitals that Brazil’s campaign for a permanent seat on the UN Security Council has been set back years.

Now on a tour of African states, President Lula was asked whether he was campaigning to be the next Secretary General of the United Nations. It was just his style to reply that he had no interest because the job is for a “bureaucrat” and he, essentially, is above it. Both Brazil and President Lula are occasionally accused of hubris and it is easy to see why. Perhaps it is for the best then that when he attends the closing ceremonies of the World Cup in South Africa on Sunday, it won’t be Brazil that goes home with the trophy. That would surely have made both daddy and child beyond smug, even insufferable.

By David Usborne | The Independent on Sunday UK

The New Brazil

Margaret Thatcher, the former UK prime minister, was not the last world leader to proclaim with surprise, as she supposedly did the first time she saw the serried ranks of São Paulo’s skyscrapers: “Why has nobody told me about this city before?” Perhaps her advisers had, but Brazil did not impinge on her consciousness. After all, it was only eight years ago, in 2002, that Brazil attended its first G8 conference, and that was just as an observer. Continue reading these excellent special reports published on July 2010 by Financial Times.

Premiere Brazil! 2010 @ MoMA

A collaboration between The Museum of Modern Art and the Rio de Janeiro International Film Festival, the annual Premiere Brazil!festival introduces New York audiences to original and accomplished recent work by both new and established Brazilian filmmakers.

This year’s edition opens with the New York premiere of an acclaimed documentary about contemporary artist Vik Muniz’s collaboration on a recycling project with the inhabitants of the world’s largest garbage dump—a powerful ode to the transformative powers of art. A number of evocative works (Lands; Reidy, Building Utopia; I Travel because I Have To, I Come Back because I Love You) deal with the collision between modern lifestyles, urban expansion, and the destructive power and delicate balance of the vast Brazilian landscape. This year’s classics selection, dedicated to the continued preservation and celebration of the legacy of the influential Cinema Novomovement, features newly restored prints of two of Carlos Diegues’s seminal films from the 1970s.

Several recent features introduce the strong authorial voices of first-time directors (Esmir Filho, Maya Da-Rin) or build on the promise of filmmakers with a few films under their belt (Anna Muylaert, Marcelo Gomes and Karim Aïnouz, Raphael Alvarez and Tatiana Issa).

All films are from Brazil and in Portuguese with English subtitles. All are New York premieres, and first screenings will be introduced by the filmmakers.

View related film screenings

Brazilian Re-creation

Favela Painting

Thanks to Jeroen Koolhaas and Dre Urhahn, one of Rio’s bleakest neighborhoods now has a permanent rainbow. As part of their project “O Morro” (which literally translated means “the hill” but really signifies the presence of “the slum”), the Dutch artists have enlisted the community to transform the facades of 34 houses (about 7,000 square meters!) into a colorful community art project. Local residents who picked up a brush received a small salary (the painting took about a month) and an education in the production process. Koolhaas and Urhahn, who have been painting favelas for the past two years as part of a greater initiative to transform the hillside slums into places that residents are proud to live in, plan to return to Brazil to finish painting the entire hill. Click here to read more